Like every other thought-leader, I follow Mike Taylr on social media. Ever since Shingy left AOL, “Mikey” has moved to the top spot of everyone’s Twitter “Futurist Gurus” Twitter list. This morning I awoke to read Twitter abuzz with exictement over Mike’s latest Nolidge Bom:
new interview question: on a whiteboard, re-implement the following in React (using the marker color of your choice) pic.twitter.com/o6F1iMzhQY
Of course, like anyone who’s ever sat a maths exam and been told to “show your working out”, you know that the widely diverse interview panel of white 20-ish year old men is as interested in how you arrived at your answer as in the answer itself. Given Mikey’s standing in the industry and the efficiency of his personal branding consultants, this question will soon be common for those interviewing in Big Tech, as it’s an industry that prides itself on innovative disruption by blindly copying each other. So let’s analyse it.
It’s obvious that the real test is your choice of marker colour. So, how would you go about making the right decision? Obviously, that depends where you’re interviewing.
If you’re interviewing for Google or one of its wannabes, simply set up a series of focus groups to choose the correct shade of blue.
If you’re interviewing for Apple or its acolytes, sadly, white ink won’t work on a whiteboard, no matter how aesthetically satisfying that would be. So choose a boring metallic colour and confidently assert any answer you give with “I KNOW BEST”.
If you’re interviewing for Microsoft, the colour doesn’t matter; just chain the marker to the whiteboard and say “you can’t change the marker, it’s an integral part of the whiteboard”, even after it stops working.
If you’re interviewing for Facebook or one of its wannabes, trawl through previous posts by the panellists, cross reference it with those of their spouses, friends and their friends to find their favourite colours, factor in their Instagram posts, give a weighting to anything they’ve ever bought on a site they’ve signed in using Facebook, and use that colour while whispering “Earth is flat. Vaccines cause cancer. Trump is the saviour. Muslims are evil. Hire me” subliminally over and over again.
Good luck in the new job! May your stocks vest well.
“Look, it’s perfectly simple. Go back to work, but don’t use public transport. Travel in a chauffeur-driven ministerial limousine. Use common sense – under no circumstances shake hands with people you know to have the virus. Covid-19 appeared in December, which makes it a Sagittarius, so Taureans and Libras should wear masks. But it also appeared in China, which makes it a Rat, so anyone called Mickey or Roland is advised to wear gloves. We’re following the science, so here’s a graph.
Remember, this is Blighty, not a nation of Moaning Minnies, Fondant Fancies or Coughing Keirs (thanks, Dom!). England expects every interchangeable low-paid worker and old person in a care home to Do Their Duty: let’s just Get Dying Done. God save the Queen, Tally-ho!”
I love my holidays; I work to live, not live to work, although I do love what I do. So I always set an Out of Office message on my employer’s corporate email. I’ve noticed through various jobs that most of the email I receive is either ephemera (“I’ll be late today”/ “Please note the fridge will be emptied on Thursday”) or conversations that go on for a few days, and then resolve themselves.
So my out of office says “I’m out until DD/MM/YYYY. If your message remains important when I return, please re-send it then, as I will delete all messages received before that date without reading”. And, apart from messages from direct bosses, I do just that.
Feel free to use my personal email out-of-office as inspiration:
OFF THE GRID!
I love you. I really do. The way your cute nose goes all crinkly when you smile – I dream about it and sigh. The way you toss your beautiful hair when you’re materialising from hyperspace makes my heart go pit-a-pat and skip a beat. Thinking of how your tentacles encircle my exoskeleton causes … well, let’s not go there.
But that doesn’t change the fact that I’m backpacking around India at the moment, and connectivity is limited. And there’s loads of stuff to look at that’s cooler than email, so it may take time until I reply. Until we see each other again, I yearn for your gentle caress and to hear the ethereal howling you make when extruding your egg sacs.
Relax! Read a book! Go swimming! Play guitar! Get drunk! Learn karate! Do some yoga! Play tennis! Make love! Have fun with your friends and family! Remember, the graveyard is full of indispensable people.
Public service announcement: it’s good to eat Mars bars straight from the freezer, but don’t try it with a Crunchie: freezing makes them totally brittle and they turn into dust. I ate all the dust I could scoop off my shirt, but had to sweep 50% of it off the floor.
Caramac will be fine … I’d be very careful with Turkish Delight though and only a fool would try to freeze a large bar of Dairy Milk Marvellous Creations Jelly Popping Candy. You better know yourself if you’re going to mess with that.
My recent upgrade to Yosemite appeared to go without a hitch, until I fired up Garageband to tidy up the guitar line on my cello and harpsichord-driven song Girl In The Room.
To my dismay, the cello and harpsichord samples had disappeared, to be replaced by a very clunky generic synthesiser sound. After some investigation, it appeared that the new OS (or new Garageband 10.0.3) had nuked the soundfonts I’d put in Library/Audio/Sounds/Banks/. Perhaps I should have known this – but I’m new to Mac, and my experience on Windows is that it doesn’t hose your data when you upgrade. Ah well. Apple knows best, of course.
But, once I’d got the soundfonts from a backup and restored them to the correct folder, I’ve noticed that Garageband doesn’t see all of them. Other times, it sees a soundfont, lets me associate it with a track and plays it fine. Then I hit play again and the same track I heard seconds before is entirely silent although the dialogue box still claims the soundfont is associated with the track. (and what is a “user define bank”? User-defined, surely?)
This basically means Garageband isn’t usable for me with soundfonts (which was the whole purpose of my buying it; I don’t want to be restricted to the excellent-quality but rather middle-of-the-road default samples).
But I’m a Mac/ GB n00b and am probably missing something obvious. Anyone got any advice?
I’m trying to do my self-assessment tax form. I’m not a stupid man, so it shouldn’t be too hard (and I got a grade B Maths O Level in 1983!) and I want to be fair and pay my share. My salary is PAYE but I have a small amount of extra income from a book I wrote 4 years ago – and, as it’s a tech book, it’s quite old so the sums are small.
That, plus derisory rates of interest from money I save (as breadwinner in a Hard Working British Family™, I save for a rainy day) means I have to fill in a form. Once again, it’s defeated me. Why, for example, do I have to tell them how many dollars I was paid in royalties? The money hits my bank in pounds, so I note it down like a good boy in pounds so I can pay income tax on it in pounds. So I can’t fill that bit in. How do I record my ISA savings which are tax free (there’s only a place to record net interest and gross interest).
The whole thing seems like a conspiracy to create jobs for accountants. I have nothing against accountants (except for my karate sparring partner Mohammed, because he’s loads better than me), but I shouldn’t need a professional to record a few hundred quid in book royalties and ISA interest.
And the website is so shockingly rubbish it’s embarrassing to be in the web industry.
So, tomorrow, like every other bloody year, I’ll call their overloaded phone help line and be coached through the form, at great expense to the tax payer.
I don’t usually follow recipes from magazines, because they usually need zillions of ingredients and take ages to prep. But I had six people around for dinner, and a whole leg of lamb, so Hugh Fearnley-Whittingstall’s Six-hour spiced lamb with 40 cloves of garlic seemed a good choice. (All of us like garlic, but it’s not actually death-by-alium, as you don’t crush the garlic, just add it to the juices.)
It took about 10 minutes longer to prepare than any other roast, and that was toasting the spices and pulversising them in a pestle and mortar, but it was time well spent as it was absolutely delicious.
It did list some ingredients I didn’t have, so I adapted it thus:
For the sauce, I didn’t have paprika, caraway or fennel. So I added a couple of cloves, and some chilli flakes (about a teaspoon).
After the first 30 minutes, when you’re supposed to add a cup of water, I added a mug of water and a cup of red wine. (I knew my guests would want lots of gravy.)
An hour before the end, when you add all the garlic, I also added a couple of sprigs of rosemary from the garden, a couple of handfulls of black olives, and another cup of wine.
The gravy was really intense, even before I squished some cloves of garlic and a few olives into it and sieved it. The remaining olives tasted great for people to munch while the meat was resting. I served it with carrots that I cooked around the lamb for the last hour, potatoes roasted in goose-fat, Yorkshire puddings, roast butternut squash and boiled broccoli and cauli.
I was reading a Reddit post on which celebs are “assholes” and which aren’t, and can exclusively reveal that Chris Tarrant is a tosspot, whereas Irish post-punk bands The Undertones and Stiff Little Fingers are jolly nice people — Jake Burns wished me happy birthday, and Undertones’ bassist Micky Bradley gave me a can of Stella when I was 14.
However, Tebbit also has a sense of humour. At University, my housemates and I would write letters to TV personalities requesting autographed photos to decorate our rented house on De Grey Street, Hull, AKA “Raunchy Studsville”. (Note, this is before the Web existed to divert students from essays etc).
We wrote to Tebbit at the House of Commons:
Dear Norm, we’ve watched your rise through the Tory party with admiration. Market Forces dictate that you send us a signed photograph. Get Down! The Raunchy Studs.
A week later, an House of Commons envelope addressed to “Raunchy Studsville, 1 De Grey St, Hull” landed on our doormat, containing a hand-written note on headed note paper:
Dear Studs, who am I to argue with Market Forces? Here’s your photo. Get Down!
I didn’t send you one. Not because I hate you (I don’t – I love you, especially in that outfit and the way you toss your hair when you laugh), but because I don’t send them to anyone. If I did, I’d have to post them to friends in Thailand, Norway, USA, Australia, India, Russia, Japan and elsewhere, polluting the planet so that twee pictures and shop-bought sentiments can end up in landfills. What a waste of money.
Instead, I donate the money I’d spend on cards and postage to a charity. This year, I’m sending some cash to the Bhopal Medical Appeal which gives free medical care to the people hurt in Bhopal and so shamefully treated by those responsible, Union Carbide (now part of Dow).
To date our Sambhavna Clinic has treated more than 35,000 people. We employ over 60 staff, roughly a third of whom are themselves gas survivors. We carry out valuable studies, inform, educate and train people in gas-affected communities to monitor their health.
…In the Bhopal Medical Appeal ‘we’ don’t ask ‘you’ to help ‘us’ help ‘them’. The Appeal and the Sambhavna Clinic are shared efforts between those of us who are survivors, those of us who run the Clinic and the Appeal and those of us who support the effort with our money and by volunteering our skills or just our enthusiasm.
So that’s your card. Have a merry consumerfest, and a happy new year.